“De Faldne”
Is an ephemeral installation of clay figures created directly on the gallery floor. When the exhibition ends, the figures are gathered into trash bags so the clay can be recycled again and again.
The work lives, disappears, and returns—just like the migrants it depicts.
They remain migrants until they die.
Then they become soil once more.
“Cosmogony of Savn”
Cosmogony of Savn is a series of masks developed to be used in process-based ritual workshops.
Participants work with the masks through their own feelings of savn, shaping a shared, emotional universe.
“Forglemmigej”
Forglemmig ej is a porcelain flower and a symbol of migration. It portrays the drama and fragility of an immigrant’s life — the hope that must stay alive no matter the circumstances.
“Grænsesøgende”
Is a political installation from 2017 addressing Denmark’s increasingly restrictive migration policies. The work features a magnified portrait of Inger Støjberg, symbolizing the tightening of borders and the fear of movement.
“Den lille Casa”
Den Lille Casa is a small and fragile sound installation that portrays a distant relationship.
A character sits in a tiny room, trying to call its mother.
On the other end of the line, the connection is weak and distorted, creating a broken, emotional conversation — a feeling of sadness, longing, and deep frustration.
"From A to B"
Was an installation based on migration. A video projection inside the shed was showing the story of different characters moving from one place to another.
The spectators would go around the museum and could constantly hear sounds coming out from the shed, inviting them to look trough the small windows.
“Savn masks”
Savn Masker is a sound installation with two large ceramic masks placed at opposite ends of a room.
At unexpected moments, one mask emits a sound; the other responds.
A brief, invisible “bridge” of sound forms across the space — filling the room for a few seconds before silence returns.
